Showing posts with label TIFF. Show all posts
Showing posts with label TIFF. Show all posts

Thursday, July 16, 2009

Kubrick and von Trier


I was over at In Contention, and I came across two articles that I loved so much I had to share them. First up is the article on Kubrick's Eyes Wide Shut. The article over at In Contention is actually a link to a longer piece by The Mutiny Company, which I actually just finished reading. I thought the piece was really fantastic, so I felt I had to post about it.



Next up I have another article (credit is due to In Contention once again for bringing the article to my attention) from The Independent chronicling von Trier's work up to his new film Antichrist. Here is a second article from The Guardian which gives eight opinions on the film from various backgrounds (the lovely Samantha Morton is one of those voicing her opinion on the film).


I absolutely cannot wait to see Antichrist, I sincerely hope that it is coming to the Toronto International Film Festival. If it doesn't I might just have to pull a Charlotte Gainsbourg.


-Cigarettes

[Source In Contention]

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Wednesday, October 1, 2008

The Blind Hating on Blindness



(Just a note before reading this post, I have tried to remove as many of the spoilers as possible from this post. If you want to read them, just highlight the words in between the brackets.)

The National Federation of the Blind decided to go out of their way to protest Fernando Meirelles' new film Blindness, opening on October 3rd. The press release was sent out yesterday and it can be found here. Originally I was not going to write a post about this news until I actually read the press release that was sent out.


In their defense, Cinematical informs me that seven staff members of the National Federation of the Blind have actually seen the film, three of them being sighted and four of them being blind. It's a good thing that they actually watched the film before they started to blast it for portraying the blind as "incompetent, filthy, vicious, and depraved." I saw this film at the Toronto International Film Festival, and now I am just wondering if we all saw the same film.

Their major argument is that the film portrays the blind in a disgusting manner that will further harm the image of blind people in the real world. First of all let me just say that I personally do not believe it matters if you are blind or not, and that people are defined by who they are, what actions they take, what they think and not by physical traits, disability or otherwise.


This is a film about an epidemic of blindness that sweeps the whole world. It is not really about blind people at all, but rather about people who can see and then lose their sight after coming into contact from others who have contracted the disease. This is important because many choices of the characters and many of the circumstances are based on this fact, not that they are blind but because they have become blind so suddenly and without warning.

[SPOILERS] In the film that I recall seeing, some of the "deplorable" acts in the film occur while the population is still sighted. At the beginning of the film Don McKeller plays a character only known as "Thief". He steals the car of a man who has just gone blind, and while he can still see. Of course, this event doesn't really compare to the terrible things that happen once the characters are placed inside an abandoned asylum, but I do believe it does go to show that everyone has the capability to do evil or vicious things, sighted or not. Even once inside the asylum there are vicious acts that occur. There are some scenes that are sure to make some audience members walk out in disgust. However, even with these scenes on cannot say that there are good or evil characters. The blindness that affects the population acts as an equalizer between all people. Societal structure falls apart once we all become the same. Their is lawlessness and rampant abuse of human rights. Why? Because we no longer have to follow those rules now that there is no one left to enforce them. Some of the people who were hit with the disease at the beginning of the film slowly begin to show their true natures once they realize that there is no order inside the asylum. [/SPOILERS]



While continuing their argument, the N.F.B. states, "Only one woman, played in the film by Julianne Moore, remains able to see, feigning blindness to remain with her husband. She is portrayed as physically, mentally, and morally superior to the others because she still has her sight." While it is true that she might be superior to some of the other characters in these ways, but this would have also have been true before the epidemic of blindness had hit anyone. This is another reason why I feel that this argument is a little foolish. The film never portrays anyone as a saint, everyone does horrible things, some much worse than others.

[SPOILERS] There is a sequence in which the women of the asylum are forced to have sex with the men of Ward Three in exchange for food. If they do not give up their bodies the people in their wards will starve. While the women of Ward One are having sex with the men of Ward Three, one of then men kills one of the women. In one of the most moving and beautiful scenes in the film, the rest of the women of Ward One carry the body of the dead woman back, clean her, and wrap her. Later, Julianne Moore's character murders a man in Ward Three with a pair of scissors and arguably causes the death of many more people, does that put her morally above others in the film? This is why I say the argument of the N.F.B. is a little foolish. There is no one side to this story, no good guy and no bad guy. [/SPOILERS]


In closing I would just like to reiterate that this film is about society as it falls apart due to an epidemic of blindness that sweeps through the world. It is not an attack on the blind but an exploration of the capabilities of human beings when placed under extreme circumstances. I highly doubt such intelligent people and artists would make a film that would only act to metaphorically lambast the blind.


-Cigarettes

[Source Cinematical]

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Thursday, September 25, 2008

Plea Bargain



Alright. So we are guilty, so very very guilty. I know I have not kept up with my promises and my duties. I fancifully frolicked around Toronto during the Film Festival and forgot my sworn duty to record the details on this blog. I have also neglected to update... I'm bad, but I figured my friend Benicio up there would convey my feelings more succinctly and accurately than I ever could in words.

So this is just so you (if there even are any of "you") out there know that I am still alive, and still blogging.... some of the time.

-Cigarettes

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Sunday, August 3, 2008

First Margot, and now Rachel...


First off, I would like to apologize for not updating sooner. Things just keep coming up, so now that I finally have some free time, I will try to post more frequently.

So a new trailer just hit the internet, and it is for the new film by Jonathan Demme entitled Rachel Getting Married. The script is written by Jenny Lumet, a first time screenwriter. The film stars Anne Hathaway, Rosemarie DeWitt and Debra Winger.

The film centers around Kym (Hathaway), a girl who has been in and out of rehab for a decade and has a long history of personal crisis. She returns to her family for her sister Rachel's (DeWitt) wedding, and brings a lot of drama along with her, acting as a catalyst that exposes all of the tensions that lie within the family.



This film is actually a tough sell for me. Jonathan Demme who has done some really great work in the past has been churning out less than stellar works as of late. Although I have to say Anne Hathaway looks pretty decent in the trailer that has just been released (the trailer can be found here). I like that she is finally moving onto some smaller edgier roles, and I might dare to say she might be picking up some cred come award season.



Despite obvious similarities to the film Margot at the Wedding, I think (judging by the trailer) that this film will be leading in a different direction, just in familiar territory. The whole thing looks like it has been shot digitally, which should also be interesting. Also, unlike Margot, this film looks more like an ensemble piece.

The film will be making its North American Premiere at the Toronto International Film Festival as a Gala Screening... I'm just hoping for a little more information before I take a leap of faith and buy a ticket to see this.

-Cigarettes

[Source Cinematical]

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Tuesday, July 15, 2008

Something Wicked This Way Comes

Every year around this time I start anticipating all the goodies that the Toronto International Film Festival will have to offer. I figure, then, that to work with my anticipation we will begin linking to posters, trailers, and news about various films that myself (popcorn) or cigarettes are interested in seeing! It's always fun (and actually a bit nerve-wracking) hearing about last minute line-up changes, so I figure that any information we hear should be passed on to y'all. Now don't for a second take what's posted here as gospel; we all know that the rumour mill turns out a doozy every once in a while. What you can expect is a routine update on said rumour mill and our excitement, disappointment, or disgust with the decisions being made by the higher-ups.


So, without further ado, I give you some movies that I want to see:

1. Tokyo Sonata - Kiyoshi Kurosawa

story of a dysfunctional Japanese family dealing with their
individual differences whilst coping with a sudden and unexpected event that shakes everything up. 

Now, I for one am all about the dysfunctional family movie genre. I love everything from Ordinary People, to The Ice Storm, to American Beauty, and so am hopeful that the early praise that this film has received is well-earned. Kurosawa proved with his 2001 effort, Kairo (Pulse), that he has a strong visual imagination, which should hopefully help elevate any lapses in energy or pace should the film suffer from any moments of yawn-this-is-the-same-family-drama-we've-all-seen-before. Now, the film did win the Jury Prize - Un Certain Regard at this year's Cannes Film Festival, so my guess is that Kurosawa's film is as great as I expect it to be. I mean, hello, it won an award; that, like, totally means that it's automatically the best thing ever. Deal with it.

Oh, and the poster is awesome: gorgeous type-face; wonderful capture of the lead character; fantastic colour palette. I'm really rather excited. 

Oh and make sure to check out the website here and a larger version of the trailer here. (Yes, I know that it's all in Japanese. hmph.)

2. The Secret Life of Bees - Gina Prince-Bythewood

Yes, I know that this movie stars Dakota Fanning, Jennifer Hudson, Alicia Keys and Queen Latifah, but I still want to see it. 

Things it has going for it:

- Sophie Okonedo who was fantastic in both Dirty Pretty Things and Hotel Rwanda
- Based on a critically acclaimed, best-selling novel

Things it has against it:

- Seemingly melodramatic saturation
- Lead cast of debatable credibility and talent

The movie stars Dakota Fanning and Jennifer Hudson who move in with three sisters (Latifah, Keys and Okonedo) after Fanning's mother is murdered. Hmm... coming of age chick-flick set in South Carolina in 1964. This could be terrible, or it could be endearing and heart-warming. Plus, Dakota Fanning looks all growed up now! Don't get me wrong, I still find her an annoying little brat; but, I'm curious to see whether or not hers is a talent that will last or not. 

You can check out a clip here and let me know how much you don't want to see it. 

3. Un Conte de Noel - Arnaud Deplechin


Just like family dramas, I love me a good Christmas movie. I especially love them if they include Catherine Deneuve and Mathieu Amalric in the cast list. This movie has all the elements of a terribly cheesy, redundant, and piss-poor Hollywood Christmas film: a family reunites in their old home as Christmas draws nearer, allowing for a mix of comedy, drama, questions, and answers. Eugh. But, all reviews, all news, all anything point towards this film being handled with a grace and sophistication that Hollywood should take note of. I mean, the presence of Catherine Deneuve itself elevates this movie above any Hollywood, Stone Family (or otherwise) garbage. 

Click here to watch the french trailer of Un Conte de Noel by Arnaud Deplechin.

Well, that's all the time I have for today. My God these posts take for-bloody-ever to write up. So drop me a line and let me know if you find yourself interested in any of these, think they'll be codswallop, or have any suggestions of your own.

Cheers.

- Popcorn

[Source TIFF]

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Wednesday, May 14, 2008

It Begins 2.0


You might have noticed (or not, seeing as how we haven't had any visitors yet) that in the first post of this blog, it started by saying "We've ventured out..."
Well I am the second part of that 'we' making my first post on here. I suppose that he is Popcorn and I am Cigarettes. (Which was his idea, not mine... he's a smarmy bastard.)




So I'll start off by saying that this blog is going to be one that covers film. We're going to (try to) review films in that are in theatres, and on DVD. We have a lot of ground to cover, so it is going to take a while to really get going, so stick with us!

I also figured we be posting items on movie news and such, and hopefully we'll still be around to cover the Toronto International Film Festival when it comes around in September.

Since we are starting out I figure we are going to be pretty flexible and we will always be listening to all of your comments, suggestions, questions, and requests.

We are doing this because we love film, we love to talk about it, and now we want to do it on the web.... I guess. So if you can't deal with it, then sod off.


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